The on-site production had to be streamlined, and the crew kept to a minimum. Limitless trained The Garden's production team to run self-sufficiently whilst offered a 24/7 technical support line.
Babies do not run to production schedules - Limitless were very flexible, with rigs and teams on standby ready to go at short notice, working to a moving target and deadline.
The rigs ran 24/7 so the installation had to be robust and it wasn't possible to quickly interrupt for maintenance. Cameras were equipped with infrared night vision for operation in complete darkness, with some of the most important scenes being picked up when least expected.
In total, Limitless provided a combination of fixed-rigs and mini-rigs for six main family homes and multiple secondary locations. All production equipment for the homes and galleries was installed and fully supported across many months of shooting.